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dc.contributor.authorCepin, Jesus R.
dc.contributor.authorHerrera, Lenny
dc.date.accessioned2021-09-07T19:26:40Z
dc.date.available2021-09-07T19:26:40Z
dc.date.issued2015-04-10
dc.identifier.urihttp://hdl.handle.net/1951/72889
dc.description.abstractThis paper examines the role of cultural appropriation in order to analyze how gentrifications happens and how global capital and financial markets change space and landscape in Latin@ communities. We attempt to see how Latinidad as cultural expressions are utilized by artists as methods of resisting the process of gentrification that make their spaces and communities marketable to white-middle-class renters. By analyzing music scenes, nightlife venues and graffiti/murals we attempt to use these forms of cultural expression as symbolic indicators of gentrification. The specific communities that this paper is concerned with are Latin@ enclaves throughout the 5 boroughs of New York City.
dc.language.isoen_US
dc.subjectGentrification
dc.subjectAnti-Blackness
dc.subjectAfro-Latinidad
dc.subjectNegrophilia
dc.subjectLatinidad
dc.subjectColonialism
dc.subjectGlobal City
dc.titleThe Global City: Culture in Latin@ Spaces as Resistance Against Gentrification
dc.typeoral_presentation
dc.contributor.organizationSUNY Binghamton
dc.description.institutionSUNY Brockport
dc.description.publicationtitleSUNY Undergraduate Research Conference
dc.source.statuspublished


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