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dc.contributor.authorSartorius, Andrew
dc.date.accessioned2019-06-20T18:44:43Z
dc.date.available2019-06-20T18:44:43Z
dc.date.issued2019-05
dc.identifier.urihttp://hdl.handle.net/1951/70834
dc.description.abstractMy family owns a fifty acre plot of rolling red clay hills in West Virginia. When I return home, I dig clay, a pilgrimage to harvest from the strata of memory. This body of work explores the potential of wild West Virginia clay through the wood firing process. The kiln creates a dramatic range of effects as varying amounts of ash and heat amalgamate and give vitality to the wild clays I use. The kiln is my collaborator, a trusted but pleasantly unpredictable partner lending its voice to mine to create something made from a life of memory and memorial… Material holds memory. It has a lingering narrative more akin to memoir than a full memory. Memoir is not a life’s story; rather it is a remembered story from a life. In Material Memoir, I explore the use of West Virginia clay to construct artifacts that illustrate my longing from home and passion for the wood firing process.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectCeramic Exhibitionsen_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectMemory in arten_US
dc.subjectPottery Exhibitionsen_US
dc.subjectWest Virginiaen_US
dc.subjectKilnsen_US
dc.subjectAutobiography in arten_US
dc.subjectCeramicsen_US
dc.titleMaterial memoir: MFA Thesis - Ceramicsen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States