Show simple item record

dc.contributor.authorLee, Geuryung
dc.date.accessioned2019-06-19T19:54:19Z
dc.date.available2019-06-19T19:54:19Z
dc.date.issued2019-05
dc.identifier.urihttp://hdl.handle.net/1951/70827
dc.description.abstractThe process of my printing begins with the drawing of an image using ink and a brush on an acetate film. The act of drawing allows me to release my emotions and I experience a calmness, satisfaction and happiness. This is a form of spiritual practice. I learned calligraphy when I was young and when I use sumi ink now, I am brought back to my childhood. The images in my drawings originated from Korean; I was born and raised in Korea and my native language is Korean. Making drawings like this is a longing for my language, an unconscious gesture. Since completing my undergraduate studies in the United States, I have not resolved the confusion towards my artistic identity that I felt since I was an undergraduate student. I still have to define it: one that exists somewhere between the complex histories of the East and West.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectPrints Exhibitionsen_US
dc.subjectIdentityen_US
dc.subjectPrintmaking Exhibitionsen_US
dc.subjectCalligraphy Exhibitionsen_US
dc.subjectIdentity (Psychology) in arten_US
dc.titleNostalgia: MFA Thesis - Printmakingen_US
dc.typeThesisen_US


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record

Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States