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dc.contributor.authorKellogg, Benjamin
dc.date.accessioned2018-05-23T22:13:47Z
dc.date.available2018-05-23T22:13:47Z
dc.date.issued2018-05
dc.identifier.urihttp://hdl.handle.net/1951/70241
dc.description.abstractMy work is situated in a framework of practice and play—the result of an iterative process. Formal conclusions emerge as responses to self-imposed systems of making. I fabricate jewelry tangent to simple drawing programs developed in software. By hand, I interpret the systems that determine form in order to conceive new studio methods and wearable outcomes. I explore the conditions of making within craft, generative design, and the serial aspects of digital technologies.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectArt metal-work Exhibitionen_US
dc.subjectComputationen_US
dc.subjectContemporary Craften_US
dc.subjectContemporary Jewelryen_US
dc.subjectCraften_US
dc.subjectDigitalen_US
dc.subjectGenerativeen_US
dc.subjectIterationen_US
dc.subjectJewelryen_US
dc.subjectJewelry Exhibitionen_US
dc.subjectMetalen_US
dc.subjectMetalsmithen_US
dc.subjectPlayen_US
dc.subjectPracticeen_US
dc.subjectProcessingen_US
dc.subjectSerialen_US
dc.subjectSoftwareen_US
dc.subjectSystemsen_US
dc.titleCloser Approximations: MFA Thesis - Metalen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States