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dc.contributor.authorMartin, Lydia
dc.date.accessioned2017-05-22T16:54:59Z
dc.date.available2017-05-22T16:54:59Z
dc.date.issued2017-05
dc.identifier.urihttp://hdl.handle.net/1951/69215
dc.description.abstractWithin this body of work entitled how small pieces become, I ask my audience to experience with me objects of adornment that are subtle and meaningful by means of traditional making processes. how small pieces become is an investigation and exploration into the realm of object adornment. The work raises questions about preciousness, beauty, and the relationship between viewer and adornment. It inspires a conversation regarding perception and intimate personal experience. Through the works formal characteristics and attention to detail, the objects invite the viewer to gaze into a fictive mirror to experience a moment of personal reflection that is redefined when the object is worn.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectJewelry Exhibitionsen_US
dc.subjectObjects of Adornmenten_US
dc.subjectSterling Silveren_US
dc.subjectGolden_US
dc.subjectObject/Wearer Relationshipen_US
dc.subjectCraften_US
dc.subjectLiminalityen_US
dc.subjectContemporary Jewelryen_US
dc.subjectIn Praise of Shadowsen_US
dc.subjectThe Poetics of Spaceen_US
dc.titleHow Small Pieces Become: MFA Thesis- Metalen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States