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dc.contributor.authorMorton, Rebecca
dc.date.accessioned2017-05-22T15:44:54Z
dc.date.available2017-05-22T15:44:54Z
dc.date.issued2017-05
dc.identifier.urihttp://hdl.handle.net/1951/69214
dc.description.abstractThrough movement, I am aware that my mind quickens my body and my body invigorates my mind. Movement, for me, is a response to a particular place in time similar to an improvisational dance. I’m interested in large amounts of volume in clay and the elation I feel during the making process within my own body. Excitement comes from working at a larger scale. The physicality of the material awakens my body. I create large, hand-built sculptures that reference movement, lightness, and curves. Delicate, soft creases, and folds inform my attempt to create continuous flowing sensual forms. Cycles seen in nature, and especially fertility, are often my foremost focus. I aspire to portray these moments and simultaneously suggest ongoing ceaseless motion.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectArten_US
dc.subjectCeramicsen_US
dc.subjectSculpture Exhibitionsen_US
dc.subjectSculptureen_US
dc.subjectPorcelainen_US
dc.subjectPhysicalityen_US
dc.subjectDanceen_US
dc.subjectFertilityen_US
dc.subjectSensualityen_US
dc.subjectBeautyen_US
dc.subjectBodyen_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.titleMoments Materialized: MFA Thesis-Ceramicsen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States