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dc.contributor.authorCordray, Gary
dc.date.accessioned2016-06-02T18:07:33Z
dc.date.available2016-06-02T18:07:33Z
dc.date.issued2016-05
dc.identifier.urihttp://hdl.handle.net/1951/67620
dc.descriptionA short read with pictures and loose citation which reveals how we can bob our heads together in synchronization to the sound of time through a discussion inspired by an interactive painting design process with animals.en_US
dc.description.abstractInsight on how our own experience is subject to a myriad of instinctual cognitive underpinnings.When considering how we relate to animals, we are a step closer to the sanity of realizing our connection to nature as a process rather than a place.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectAethelred Eldridgeen_US
dc.subjectconsciousnessen_US
dc.subjectnatureen_US
dc.subjectexperienceen_US
dc.subjectPhenomenologyen_US
dc.subjectsemiosisen_US
dc.subjectcollaborative arten_US
dc.subjectpublic arten_US
dc.subjectanimal interactionen_US
dc.subjectautopsical arten_US
dc.titleSpatial-kinetic Chrono-linear: MFA Thesis - Painting and Drawingen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States