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dc.contributor.authorRony, Chantie
dc.date.accessioned2016-05-26T14:03:27Z
dc.date.available2016-05-26T14:03:27Z
dc.date.issued2016-05
dc.identifier.urihttp://hdl.handle.net/1951/67614
dc.description.abstractThe Silent Song, the body of works in my thesis exhibition, intends to praises the lyric quality of nature and also implies a duality – the melancholy and ephemerality hidden behind the seeming serenity or vitality of the natural world. Extreme beauty is silent. With the heart to listen to the mute melody from nature, I put my contemplation of life into my art, and enlightened by the philosophy of Daoism, I liberate painting material and integrate pictorial landscapes and painterly abstraction to explore my own version of landscape painting. The process of my painting mimics the landscape that is produced with the help of both - the contributions of human beings and the superlative craftsmanship of nature.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectPainting Exhibitionsen_US
dc.subjectLandscapeen_US
dc.subjectAestheticsen_US
dc.subjectDualityen_US
dc.subjectInneren_US
dc.subjectSilenten_US
dc.subjectDaoismen_US
dc.subjectNatureen_US
dc.subjectTranscendentalen_US
dc.subjectSpiritual spaceen_US
dc.subjectIndividual contemplationen_US
dc.subjectMomenten_US
dc.subjectMaterialen_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.titleSinging For the Mute: MFA Thesis - Painting and Drawingen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States