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dc.contributor.authorUrciuoli, Francesca
dc.date.accessioned2015-05-22T13:53:57Z
dc.date.available2015-05-22T13:53:57Z
dc.date.issued2015-05
dc.identifier.urihttp://hdl.handle.net/1951/65586
dc.description.abstractMy body of work is concerned with the idea of the psychological defense mechanisms by which our memories, and the objects which evoke those memories, are the foundation of our self-protection. This concept is translated by the dis-functionality suggested by certain features—for example, the holes and rust in the material used— the lapse that interrupts the uniformity. More specifically, each piece talks about the failure of our memories. Everyone has memories related to specific moments of life that they might wish to forget. However, they simultaneously provide shelter, so we must accept and deal with them. One way is to wear them. My goal is to embrace that moment of failure, and the consequent instinct of the mind defending itself against it; to reform this ‘compensation’ into a quality of beauty in the object. When ‘the armor of the object’ (whatever that may be) fails, it reveals the vulnerable and fragile human skin beneath. Then, memories become our armor. My project aims to highlight the agency of each object through an emphasis of their materials and the metaphoric adaptation of adornments. In doing so, the vulnerability inherent in the elemental composition of my objects becomes apparent. Silicone and iron filings are proposed as the skin and skeleton of an undefinable body. Made from an unconventional fabric that works and acts as a second skin, the material metaphorically becomes a shapeable witness of time. It stands against and endures the unpredictable circumstances of daily life. Its cracks and holes give life to the material by suggesting the object has lived a life, and endured the hard passage of time—toward decay or repair. How do we consider a hole, a stretch mark, a gap or a cut? They are relics of action, something that has occurred, a document, a trace. The holes are like proof that the garment has endured time, and act as evidence of something that has been overused. These holes are the witnesses of our experiences, standing for a lapse in functionality and our perception of beauty.en_US
dc.description.sponsorshipRCPA funding (Research and creative project award)en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectArt metal-work Exhibitionsen_US
dc.titleThe Lapse: MFA Thesis - Metalsen_US
dc.typeThesisen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States