My work is an amalgam of personal experience, imagined narratives and a subconscious response to the infinite, available currents of information and imagery present in our world today. It celebrates color, humor and the absurd.

As we progress through time, language is generated and adapted through the ever-changing structures of society and technology. Like all languages, non-verbal communication has adapted and changed through time and culture. ...

I manipulate rods of steel and bronze in a way that is in conflict with the materials’ own properties. Through my work, through effort, I show the relation between a body in action and the material’s ability to be ...

My work revolves around the concept of memory, with a concentration in familial and collective memory. The objects I create have been affected by memory. The understanding of material choices, forms and construction have ...

Focusing on the intertwining themes of fantasy, identity, and value, this thesis uses jewelry to explore the role of the alter ego. Participants were invited to share stories and descriptions of alternate identities arising ...

I am an artist, jeweler, and mapmaker of sorts. I craft three-dimensional, representations of particular locations using signs and symbols of my own design. I develop these abstract symbols from the information I gather ...

My art work explores the intimate contact of physical interaction, especially with one's self. Beyond the sexual nature of touch, the focus is on discovery, acknowledgment, embodiment and eventually ownership. This series ...

I am wandering around the things that intrigue me, the beginning of maturation, the remains of life—such as ashes and bones, the objects that link our lives with our deaths. I walk on, like a column of ants. I feel something ...

From the architectural element to Microsoft, windows are analogous to notions of the portal, the frame, and the screens of film, television, the computer and mobile phone. They represent a passage to other worlds, new ways ...

Human brains are predisposed to remember spatial information more easily than other forms, such as names, dates, instructions, or timelines. This phenomenon is the genesis of my sculptural process: if spaces are easier ...