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dc.contributor.authorStony Brook University. Dept. of Art.
dc.contributor.authorBaskind, Samantha
dc.contributor.authorBravo, Monica
dc.contributor.authorClarke, David
dc.contributor.authorGrove, Jaleen
dc.contributor.authorHowell, Whitney
dc.contributor.authorParker, Rachel C.
dc.contributor.authorSoykan, Ömer N.
dc.contributor.editorKuspit, Donalden_US
dc.contributor.editorAlloway, Lawrence, 1926-1990en_US
dc.contributor.otherLarese, Stephenen_US
dc.contributor.otherCoffey, Rolanden_US
dc.contributor.otherPreservation Department, Stony Brook University Librariesen_US
dc.contributor.otherMcNamara, Annemarieen_US
dc.date.accessioned2013-04-17T19:57:17Z
dc.date.available2013-04-17T19:57:17Z
dc.date.issued2009
dc.identifier.issn0195-4148
dc.identifier.urihttp://hdl.handle.net/1951/58713
dc.descriptionAnalog Original: v. ; 22 cm.en_US
dc.description.abstractIf Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)en_US
dc.description.sponsorshipDepartment of Art, Stony Brook University; Stony Brook University Librariesen_US
dc.description.tableofcontentsBaskind, Samantha, “Imaging the Book: Jewish Artists and the Bible in Twentieth-Century America.” Bravo, Monica, “Aesthetic of Reception? A Jaussian Reading of The Family of Man.” Clarke, David, “Paths to Dissolution: Water and Abstract Art.” Grove, Jaleen, “Towards Illustration Theory: Harold Rosenberg, Robert Weaver, and the ‘Action Illustrator’?” Howell, Whitney, “From Destructive Infant to Restorative Mother: Tracing the Vulnerable Body in the Work of Louise Bourgeois.” Parker, Rachel C., “Understanding The End of Art as a Critique of Arthur Danto.” Soykan, Ömer N., “Arts and Languages: A Comparative Study.”en_US
dc.formatSerialen_US
dc.format.mediumElectronic resourceen_US
dc.language.isoen_USen_US
dc.publisherDepartment of Art, Stony Brook Universityen_US
dc.relation.ispartofseriesVolume 24;Number 1
dc.rightsStony Brook Universityen_US
dc.subjectArt criticism.
dc.subjectArt appreciation.
dc.subjectAesthetics.
dc.subjectArt criticism--20th century.
dc.subjectArt, Modern--21st century.
dc.subjectAmerican art & artists.
dc.subjectArt & arts.
dc.subjectModernism (Art).
dc.subjectArt--History.
dc.subjectArt--Philosophy.
dc.subjectJewish Art
dc.subjectAbstract Art
dc.subjectHarold Rosenberg (1906-1978)
dc.subjectRobert Weaver (1907-1997)
dc.subjectLouise Bourgeois (1911-2010)
dc.subjectThe End of Art (2004)
dc.subjectArthur Danto (1924-
dc.subject.lcshArt Criticism -- Periodicalsen_US
dc.subject.lcshArt -- Periodicalsen_US
dc.subject.lcshArt -- Historyen_US
dc.titleArt Criticismen_US
dc.description.contributorThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland Coffeyen_US
dc.publisher.locationStony Brook, NYen_US


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