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dc.contributor.authorStony Brook University. Dept. of Art.
dc.contributor.authorKuspit, Donald
dc.contributor.editorKuspit, Donalden_US
dc.contributor.editorAlloway, Lawrence, 1926-1990en_US
dc.contributor.otherLarese, Stephenen_US
dc.contributor.otherCoffey, Rolanden_US
dc.contributor.otherPreservation Department, Stony Brook University Librariesen_US
dc.contributor.otherMcNamara, Annemarieen_US
dc.date.accessioned2013-04-17T19:56:16Z
dc.date.available2013-04-17T19:56:16Z
dc.date.issued2008
dc.identifier.issn0195-4148
dc.identifier.urihttp://hdl.handle.net/1951/58712
dc.descriptionAnalog Original: v. ; 22 cm.en_US
dc.description.abstractIf Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)en_US
dc.description.sponsorshipDepartment of Art, Stony Brook University; Stony Brook University Librariesen_US
dc.description.tableofcontentsKuspit, Donald, “A Critical History of 20th-Century Art.” Introduction: Twentieth Century Art: An Overview of Critical Opinion Chapter 1: New Forms for Old Feelings; The First Decade Chapter 2: Spiritualism And Nihilism; The Second Decade Chapter 3: Subjectivity and Society: The Third Decade Chapter 4: Aesthetics Against Barbarism; The Fourth Decade Chapter 5: Brave New World of American Abstract Art; The Fifth Decade Chapter 6: Mythic/Expressive Representation and Ruthless Abstraction: An Unresolvable Dialectic; The Sixth Decade Chapter 7: The Appeal of Popularity, Ideology and Theory: The Objectification of Art and the Abortive Protest of the Subject; The Seventh Decade Chapter 8: .Conflicting and Conflicted Identities: The Confusion of Self and Society; The Eighth Decade Chapter 9: Aspirational Aesthetics and Empathic Painting: The Search for Authenticity and the Rebellion Against Conceptual Pseudo-Art; The Ninth Decade Chapter 10: The Decadence Of Advanced Art And The Return Of Tradition and Beauty: The New as Tower of Conceptual Babel; The Tenth Decadeen_US
dc.formatSerialen_US
dc.format.mediumElectronic resourceen_US
dc.language.isoen_USen_US
dc.publisherDepartment of Art, Stony Brook Universityen_US
dc.relation.ispartofseriesVolume 23;Number 1/2
dc.rightsStony Brook Universityen_US
dc.subjectArt criticism.
dc.subjectArt appreciation.
dc.subjectAesthetics.
dc.subjectArt criticism--20th century.
dc.subjectArt, Modern--21st century.
dc.subjectAmerican art & artists.
dc.subjectArt & arts.
dc.subjectModernism (Art).
dc.subjectArt--History.
dc.subjectArt--Philosophy.
dc.subjectGerman Expressionism
dc.subjectSpiritualism
dc.subjectNihilism
dc.subjectAbstract Expressionism
dc.subjectAbstraction
dc.subjectContemporary Art
dc.subject.lcshArt Criticism -- Periodicalsen_US
dc.subject.lcshArt -- Periodicalsen_US
dc.subject.lcshArt -- Historyen_US
dc.titleArt Criticismen_US
dc.description.contributorThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland Coffeyen_US
dc.publisher.locationStony Brook, NYen_US


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