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dc.contributor.authorStony Brook University. Dept. of Art.
dc.contributor.authorCunningham, Joseph
dc.contributor.authorCunningham, Joseph
dc.contributor.authorBaigell, Matthew
dc.contributor.authorHo Yu, Chong
dc.contributor.authorMahon, Eugene
dc.contributor.authorKuspit, Donald
dc.contributor.editorKuspit, Donalden_US
dc.contributor.editorAlloway, Lawrence, 1926-1990en_US
dc.contributor.otherLarese, Stephenen_US
dc.contributor.otherCoffey, Rolanden_US
dc.contributor.otherPreservation Department, Stony Brook University Librariesen_US
dc.contributor.otherMcNamara, Annemarieen_US
dc.date.accessioned2013-04-17T19:47:13Z
dc.date.available2013-04-17T19:47:13Z
dc.date.issued2004
dc.identifier.issn0195-4148
dc.identifier.urihttp://hdl.handle.net/1951/58706
dc.descriptionAnalog Original: v. ; 22 cm.en_US
dc.description.abstractIf Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)en_US
dc.description.sponsorshipDepartment of Art, Stony Brook University; Stony Brook University Librariesen_US
dc.description.tableofcontentsCunningham, Joseph, “Another Way Out of the Cage: An Anti-theory for Epistemology and Art in the Charles Eliot Norton Lectures of John Cage.” Cunningham, Joseph, “’image and word, object and idea, inside and outside’: Excavating Robert Smithson’s Art from under His Writings.” Baigell, Matthew, “Newman’s The Stations of the Cross: Lema Sabachthani, A Jewish Take.” Ho Yu, Chong, “Aesthetics of Photography: Combining the Viewer’s and the Artist’s Standpoints.” Mahon, Eugene, “Freud –Vitruvius Dialogue.” Kuspit, Donald, “Approaching the Critic’s Psychology through the Artist’s Negative Representation of Him.” Kuspit, Donald, “Beat Sensibility: Verbal or Visual?”en_US
dc.formatSerialen_US
dc.format.mediumElectronic resourceen_US
dc.language.isoen_USen_US
dc.publisherDepartment of Art, Stony Brook Universityen_US
dc.relation.ispartofseriesVolume 19;Number 1
dc.rightsStony Brook Universityen_US
dc.subjectArt criticism.
dc.subjectArt appreciation.
dc.subjectAesthetics.
dc.subjectArt criticism--20th century.
dc.subjectArt, Modern--21st century.
dc.subjectAmerican art & artists.
dc.subjectArt & arts.
dc.subjectModernism (Art).
dc.subjectArt--History.
dc.subjectArt--Philosophy.
dc.subjectCage, John.
dc.subjectNewman, Barnett, 1905-1970--Criticism and interpretation.
dc.subjectPhotography
dc.subjectFreud, Sigmund, 1856-1939--Aesthetics.
dc.subjectVitruvius Pollio
dc.subject.lcshArt Criticism -- Periodicalsen_US
dc.subject.lcshArt -- Periodicalsen_US
dc.subject.lcshArt -- Historyen_US
dc.titleArt Criticismen_US
dc.description.contributorThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland Coffeyen_US
dc.publisher.locationStony Brook, NYen_US


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