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dc.contributor.authorStony Brook University. Dept. of Art.
dc.contributor.authorYarowsky, Morris
dc.contributor.authorFisher, Jean
dc.contributor.authorBennett, Ciaran
dc.contributor.authorMoody, Meredith
dc.contributor.authorWalker, John A.
dc.contributor.authorRisatti, Howard
dc.contributor.authorKuspit, Donald
dc.contributor.authorCarl, Katherine A.
dc.contributor.editorKuspit, Donalden_US
dc.contributor.editorAlloway, Lawrence, 1926-1990en_US
dc.contributor.otherLarese, Stephenen_US
dc.contributor.otherCoffey, Rolanden_US
dc.contributor.otherPreservation Department, Stony Brook University Librariesen_US
dc.contributor.otherMcNamara, Annemarieen_US
dc.date.accessioned2013-04-17T19:36:48Z
dc.date.available2013-04-17T19:36:48Z
dc.date.issued2001
dc.identifier.issn0195-4148
dc.identifier.urihttp://hdl.handle.net/1951/58699
dc.descriptionAnalog Original: v. ; 22 cm.en_US
dc.description.abstractIf Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)en_US
dc.description.sponsorshipDepartment of Art, Stony Brook University; Stony Brook University Librariesen_US
dc.description.tableofcontentsYarowsky, Morris, “The Beauty Falacy: Dave Hickey’s Aesthetic Revisionism.” Fisher, Jean, “Storying Art (The Everyday Life of Tricky Practices).” Bennett, Ciaran, “Between the Tolka and the Dodder: A Personal View of Visual Art in Dublin.” Moody, Meredith, “Arlene Raven: Criticism as Healing for the Author, the Artist, and the Audience.” Walker, John A., “A Vexed Trans-Atlantic Relationship: Greenberg and the British.” Risatti, Howard, “Crafts and Fine Art: An Argument in Favor of Boundaries.” Kuspit, Donald, “Two Versions of Marisol, Overlapping and Underlapping.” Carl, Katherine A., “Re-Alignings?: Artmaking in the Southeastern European Environs of Manifesta 3.”en_US
dc.formatSerialen_US
dc.format.mediumElectronic resourceen_US
dc.language.isoen_USen_US
dc.publisherDepartment of Art, Stony Brook Universityen_US
dc.relation.ispartofseriesVolume 16;Number 1
dc.rightsStony Brook Universityen_US
dc.subjectArt criticism.
dc.subjectArt appreciation.
dc.subjectAesthetics.
dc.subjectArt criticism--20th century.
dc.subjectArt, Modern--21st century.
dc.subjectAmerican art & artists.
dc.subjectArt & arts.
dc.subjectModernism (Art).
dc.subjectArt--History.
dc.subjectArt--Philosophy.
dc.subjectHickey, Dave, 1940-
dc.subjectRaven, Arlene
dc.subjectGreenberg, Clement, 1909-1994
dc.subjectMarisol, 1930-
dc.subjectArt--Philosophy.
dc.subjectFeminist art criticism
dc.subject.lcshArt Criticism -- Periodicalsen_US
dc.subject.lcshArt -- Periodicalsen_US
dc.subject.lcshArt -- Historyen_US
dc.titleArt Criticismen_US
dc.description.contributorThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland Coffeyen_US
dc.publisher.locationStony Brook, NYen_US


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