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dc.contributor.authorStony Brook University. Dept. of Art.
dc.contributor.authorKnafo, Danielle
dc.contributor.authorNewton, Stephen J.
dc.contributor.authorCarl, Katherine
dc.contributor.authorBaigell, Matthew
dc.contributor.authorCohalan, Mary Lou
dc.contributor.authorShanken, Edward A.
dc.contributor.authorWinkenweder, Brian
dc.contributor.authorGrauer, Victor A.
dc.contributor.editorKuspit, Donalden_US
dc.contributor.editorAlloway, Lawrence, 1926-1990en_US
dc.contributor.otherLarese, Stephenen_US
dc.contributor.otherCoffey, Rolanden_US
dc.contributor.otherPreservation Department, Stony Brook University Librariesen_US
dc.contributor.otherMcNamara, Annemarieen_US
dc.date.available2013-04-17T19:21:28Z
dc.date.issued1998
dc.identifier.issn0195-4148
dc.identifier.urihttp://hdl.handle.net/1951/58694
dc.descriptionAnalog Original: v. ; 22 cm.en_US
dc.description.abstractIf Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)en_US
dc.description.sponsorshipDepartment of Art, Stony Brook University; Stony Brook University Librariesen_US
dc.description.tableofcontentsKnafo, Danielle, “The Dead Mother in Kathe Kollwitz.” Newton, Stephen J., “Guilt in Painting.” Carl, Katherine, “Uprootedness and Reception in the Photographs of Josef Koudelka.” Baigell, Matthew, “American Art around 1960 and the Loss of Self.” Cohalan, Mary Lou, “Reinventing the Avant-Garde: A Stylistic Analysis of Selected Essays of Jacques Derrida.” Shanken, Edward A., “Le Coq, C’est Moi!’” Brancusi’s Pasarea Maiastra: Nationalistic Self-Portrait?” Winkenweder, Brian, “Art History, Sartre and Identity in Rosenberg’s America.” Grauer, Victor A., “Passage from Realism to Cubism: The Subversion of Pictorial Semiosis.”en_US
dc.formatSerialen_US
dc.format.mediumElectronic resourceen_US
dc.language.isoen_USen_US
dc.publisherDepartment of Art, Stony Brook Universityen_US
dc.relation.ispartofseriesVolume 13;Number 2
dc.rightsStony Brook Universityen_US
dc.subjectArt criticism.
dc.subjectArt appreciation.
dc.subjectAesthetics.
dc.subjectArt criticism--20th century.
dc.subjectArt, Modern--21st century.
dc.subjectAmerican art & artists.
dc.subjectArt & arts.
dc.subjectModernism (Art).
dc.subjectArt--History.
dc.subjectArt--Philosophy.
dc.subjectKollwitz, Käthe, 1867-1945--Criticism and interpretation.
dc.subjectKoudelka, Josef, 1938---Criticism and interpretation.
dc.subjectAvant Garde.
dc.subjectDerrida, Jacques--Criticism and interpretation.
dc.subjectNationalism and art.
dc.subjectSartre, Jean-Paul, 1905-1980--Aesthetics.
dc.subjectRosenberg, Julius, 1918-1953--Trials, litigation, etc.
dc.subjectRosenberg, Ethel, 1915-1953. Testament of Ethel and Julius Rosenberg
dc.subject.lcshArt Criticism -- Periodicalsen_US
dc.subject.lcshArt -- Periodicalsen_US
dc.subject.lcshArt -- Historyen_US
dc.titleArt Criticismen_US
dc.description.contributorThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland Coffeyen_US
dc.publisher.locationStony Brook, NYen_US


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