Art Criticism
Subject
Art criticism.; Art appreciation.; Aesthetics.; Art criticism--20th century.; Art, Modern--21st century.; American art & artists.; Art & arts.; Modernism (Art).; Art--History.; Art--Philosophy.; Smithson, Robert--Criticism and interpretation.; Dandridge, Dorothy, 1922-1965--Performances.; Clemente, Francesco, 1952---Criticism and interpretation.; Kitsch.; Fried, Michael--Criticism and interpretation.; Greenberg, Clement, 1909-1994; Krauss, Rosalind E.--Criticism and interpretation.Abstract
If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)
Description
Analog Original: v. ; 22 cm.
Collections
- Art Criticism [SBU] [53]
Publisher
Department of Art, Stony Brook University; Stony Brook, NYRelated items
Showing items related by title, author, creator and subject.
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Art Criticism
(Department of Art, Stony Brook UniversityStony Brook, NY, 1997)If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles ... -
Art Criticism
(Department of Art, Stony Brook UniversityStony Brook, NY, 2002)If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles ... -
Art Criticism
(Department of Art, Stony Brook UniversityStony Brook, NY, 1999)If Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles ...
