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dc.contributor.authorStony Brook University. Dept. of Art.
dc.contributor.authorGolub, Adrienne M.
dc.contributor.authorRaskin, David
dc.contributor.authorJusidman, Yishai
dc.contributor.authorCaranfa, Angelo
dc.contributor.authorBisanz, Rudolph M.
dc.contributor.authorNechvetal, Joseph
dc.contributor.authorSiedell, Daniel A.
dc.contributor.authorBrzyski-Long, Anna
dc.contributor.editorKuspit, Donalden_US
dc.contributor.editorAlloway, Lawrence, 1926-1990en_US
dc.contributor.otherLarese, Stephenen_US
dc.contributor.otherCoffey, Rolanden_US
dc.contributor.otherPreservation Department, Stony Brook University Librariesen_US
dc.contributor.otherMcNamara, Annemarieen_US
dc.date.accessioned2013-04-17T19:13:45Z
dc.date.available2013-04-17T19:13:45Z
dc.date.issued1997
dc.identifier.issn0195-4148
dc.identifier.urihttp://hdl.handle.net/1951/58691
dc.descriptionAnalog Original: v. ; 22 cm.en_US
dc.description.abstractIf Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)en_US
dc.description.sponsorshipDepartment of Art, Stony Brook University; Stony Brook University Librariesen_US
dc.description.tableofcontentsGolub, Adrienne M., “Towards A Newer Critique—The Missing Link: The Influence of T.S. Eliot’s Ultra-Conservative Criticism on Clement Greenberg’s Early Rhetoric and Themes.” Raskin, David, “Golub and Kosuth: Whose Expressionism?” Jusidman, Yishai, “Un-Ending Yad-Vashem: Some Notes Towards an Aesthetics of Monuments and Memorials.” Caranfa, Angelo, “The Inner Life in Claudel’s Art Criticism.” Bisanz, Rudolph M., “Hermeneutics and Art: From Schleiermacher to Derrida: On the Trail of the ‘True Meaning’ of the Work.” Nechvetal, Joseph, “Machine Art: From Mechanical Repetition Into Electronic Flicker.” Siedell, Daniel A., “Kline Contra Kline.” Brzyski-Long, Anna, “Retracing the Modernist Origins: Conceptual Parallels in the Aesthetic Thought of Charles Baudelaire and G.W.F. Hegel.”en_US
dc.formatSerialen_US
dc.format.mediumElectronic resourceen_US
dc.language.isoen_USen_US
dc.publisherDepartment of Art, Stony Brook Universityen_US
dc.relation.ispartofseriesVolume 12;Number 1
dc.rightsStony Brook Universityen_US
dc.subjectArt criticism.
dc.subjectArt appreciation.
dc.subjectAesthetics.
dc.subjectArt criticism--20th century.
dc.subjectArt, Modern--21st century.
dc.subjectAmerican art & artists.
dc.subjectArt & arts.
dc.subjectModernism (Art).
dc.subjectArt--History.
dc.subjectArt--Philosophy.
dc.subjectEliot, T. S. (Thomas Stearns), 1888-1965--Aesthetics.
dc.subjectGreenberg, Clement, 1909-1994
dc.subjectGolub, Leon, 1922-2004--Criticism and interpretation.
dc.subjectKosuth, Joseph--Criticism and interpretation.
dc.subjectClaudel, Camille, 1864-1943--Criticism and interpretation.
dc.subjectSchleiermacher, Friedrich, 1768-1834--Aesthetics.
dc.subjectDerrida, Jacques--Criticism and interpretation.
dc.subjectKline, Franz, 1910-1962
dc.subjectBaudelaire, Charles, 1821-1867 Aesthetics.
dc.subjectHegel, Georg Wilhelm Friedrich, 1770-1831--Aesthetics.
dc.subject.lcshArt Criticism -- Periodicalsen_US
dc.subject.lcshArt -- Periodicalsen_US
dc.subject.lcshArt -- Historyen_US
dc.titleArt Criticismen_US
dc.description.contributorThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland Coffeyen_US
dc.publisher.locationStony Brook, NYen_US


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