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dc.contributor.authorStony Brook University. Dept. of Art.
dc.contributor.authorKnafo, Danielle
dc.contributor.authorBusbea, Larry
dc.contributor.authorGedo, Mary Mathews
dc.contributor.authorFerb, Lara
dc.contributor.authorMorowitz, Laura
dc.contributor.authorKing, Elaine A.
dc.contributor.authorJaffee, Barbara
dc.contributor.editorKuspit, Donalden_US
dc.contributor.editorAlloway, Lawrence, 1926-1990en_US
dc.contributor.otherLarese, Stephenen_US
dc.contributor.otherCoffey, Rolanden_US
dc.contributor.otherPreservation Department, Stony Brook University Librariesen_US
dc.contributor.otherMcNamara, Annemarieen_US
dc.date.accessioned2013-04-17T19:08:20Z
dc.date.available2013-04-17T19:08:20Z
dc.date.issued1996
dc.identifier.issn0195-4148
dc.identifier.urihttp://hdl.handle.net/1951/58690
dc.descriptionAnalog Original: v. ; 22 cm.en_US
dc.description.abstractIf Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)en_US
dc.description.sponsorshipDepartment of Art, Stony Brook University; Stony Brook University Librariesen_US
dc.description.tableofcontentsKnafo, Danielle, “In Her Own Image: Self-Representation in the Art of Frida Kahlo and Ana Mendieta.” Busbea, Larry, “Please Seat Your-Self: A Witmicottian Reading of the Furniture Objects of Scott Burton.” Gedo, Mary Mathews, “Public Art/Private Iconography: Roger Brown’s Transformation of the Myth of Daedalus and Icarus.” Ferb, Lara, “Dialectic Negation and the Unrepresentable Object of Nihilism in the Painting of Sigma’ Polke.” Morowitz, Laura, “Anonymity, Artisitc Brotherhoods and the Art Market in the Fin de Siecle.” King, Elaine A., “The Post-Modem, Avant-Garde Enigma: Who and What is Killing Art?” Jaffee, Barbara, “In the Name of Peirce: Art Criticism and the October Circle.”en_US
dc.formatSerialen_US
dc.format.mediumElectronic resourceen_US
dc.language.isoen_USen_US
dc.publisherDepartment of Art, Stony Brook Universityen_US
dc.relation.ispartofseriesVolume 11;Number 2
dc.rightsStony Brook Universityen_US
dc.subjectArt criticism.
dc.subjectArt appreciation.
dc.subjectAesthetics.
dc.subjectArt criticism--20th century.
dc.subjectArt, Modern--21st century.
dc.subjectAmerican art & artists.
dc.subjectArt & arts.
dc.subjectModernism (Art).
dc.subjectArt--History.
dc.subjectArt--Philosophy.
dc.subjectKahlo, Frida--art and criticism.
dc.subjectMendieta, Ana, 1948-1985--Criticism and interpretation.
dc.subjectBurton, Scott, 1939-1989
dc.subjectBrown, Roger, 1941-1997
dc.subjectPolke, Sigmar--Criticism and interpretation.
dc.subjectPeirce, Charles S. (Charles Sanders), 1839-1914--Aesthetics.
dc.subject.lcshArt Criticism -- Periodicalsen_US
dc.subject.lcshArt -- Periodicalsen_US
dc.subject.lcshArt -- Historyen_US
dc.titleArt Criticismen_US
dc.description.contributorThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland Coffeyen_US
dc.publisher.locationStony Brook, NYen_US


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