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dc.contributor.authorStony Brook University. Dept. of Art.
dc.contributor.authorHugunin, James R.
dc.contributor.authorBaigell, Matthew
dc.contributor.authorElkins, James
dc.contributor.authorJolly, Robert
dc.contributor.authorBaranik, Rudolf
dc.contributor.authorTillim, Sidney
dc.contributor.authorMenard, Andrew
dc.contributor.authorStanton, Joseph
dc.contributor.authorGrisham, Therese
dc.contributor.authorBrandi, Mark Staff and Daniel Ammann
dc.contributor.editorKuspit, Donalden_US
dc.contributor.editorAlloway, Lawrence, 1926-1990en_US
dc.contributor.otherLarese, Stephenen_US
dc.contributor.otherCoffey, Rolanden_US
dc.contributor.otherPreservation Department, Stony Brook University Librariesen_US
dc.contributor.otherMcNamara, Annemarieen_US
dc.date.accessioned2013-04-17T18:50:59Z
dc.date.available2013-04-17T18:50:59Z
dc.date.issued1993
dc.identifier.issn0195-4148
dc.identifier.urihttp://hdl.handle.net/1951/58684
dc.descriptionAnalog Original: v. ; 22 cm.en_US
dc.description.abstractIf Art Criticism meets some of its editors’ hopes for it, we shall be able to claim the appearance of some art criticism, with subjects arising from the writers’ or editors’ decisions, rather than the art market’s. Articles on individual critics and on current groups and tendencies will lead towards the adequate history of art criticism so badly needed in relation to art and in relation to the literature of other disciplines. (L.A., D.B.K., Spring 1979)en_US
dc.description.sponsorshipDepartment of Art, Stony Brook University; Stony Brook University Librariesen_US
dc.description.tableofcontentsHugunin, James R., “From ‘catop-tricks’ to ‘Cliff Dwellings’: the Art of Barbara Kasten.” Baigell, Matthew, “Reflections on/of Richard Estes.” Elkins, James, “An Ambilogy of Painted Meanings.” Jolly, Robert, “The Faith Dimension in Gestural Abstraction.” Baranik, Rudolf, “Art: Devilish, Diabolic, Satanic, Demonic.” Tillim, Sidney, “Do Intentions Matter?” Menard, Andrew, “Art and the Logic of Computers.” Stanton, Joseph, “A Langerian Comparison of a Starina Painting and a Richard Howard Poem.” Grisham, Therese, “Resisting the ‘Obscure Art of Light’: Reticence in the Art of Christian Boltanski.” Brandi, Mark Staff and Daniel Ammann, “Beyond ‘Like’ and ‘As’ in Images: Metonymy and Metaphor in Some Recent Art.”en_US
dc.formatSerialen_US
dc.format.mediumElectronic resourceen_US
dc.language.isoen_USen_US
dc.publisherDepartment of Art, Stony Brook Universityen_US
dc.relation.ispartofseriesVolume 8;Number 2
dc.rightsStony Brook Universityen_US
dc.subjectArt criticism.
dc.subjectArt appreciation.
dc.subjectAesthetics.
dc.subjectArt cirticism--20th century.
dc.subjectArt, Modern--21st century.
dc.subjectAmerican art & artists.
dc.subjectArt & arts.
dc.subjectModernism (Art).
dc.subjectArt--History.
dc.subjectArt--Philosophy.
dc.subjectKasten, Barbara
dc.subjectEstes, Richard, 1932---Criticism and interpretation.
dc.subjectHoward, Richard, 1929-
dc.subjectLanger, Susanne Katherina Knauth, 1895-1985--Aesthetics.
dc.subjectBoltanski, Christian, 1944- Criticism and interpretation.
dc.subject.lcshArt Criticism -- Periodicalsen_US
dc.subject.lcshArt -- Periodicalsen_US
dc.subject.lcshArt -- Historyen_US
dc.titleArt Criticismen_US
dc.description.contributorThis record was updated April 2013 by digitization and project advisers, Stephen Larese and Roland Coffeyen_US
dc.publisher.locationStony Brook, NYen_US


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