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dc.contributor.authorAoyagi, Marikoen_US
dc.contributor.otherDepartment of Art History and Criticismen_US
dc.date.accessioned2012-05-17T12:19:46Z
dc.date.available2012-05-17T12:19:46Z
dc.date.issued1-May-11en_US
dc.date.submittedMay-11en_US
dc.identifierAoyagi_grad.sunysb_0771M_10525.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1951/55946
dc.description.abstractMoerenuma Park (1988-2005) is the last public project that sculptor Isamu Noguchi (1904-1988) designed. He considered the park to be one single sculpture. The park reflects the idea of Noguchi's ideal society: a place where there is no sense of specificity to a certain country or community, but instead, a sense of universality. Throughout his artistic career, Noguchi aspired to construct a sculptural space for the benefit of general public. Such a utilitarian approach to sculpture led him to design Moerenuma Park for the benefit of a worldly society. As Noguchi generated the idea of such a sculptural space, he also developed his idea to form a universal place. There are many references to this universality within the park itself. This thesis examines the development of Noguchi's idea: to create utilitarian artwork that conveys universality, which Moerenuma Park expresses.en_US
dc.description.sponsorshipStony Brook University Libraries. SBU Graduate School in Department of Art History and Criticism. Lawrence Martin (Dean of Graduate School).en_US
dc.formatElectronic Resourceen_US
dc.language.isoen_USen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.en_US
dc.subject.lcshArt Historyen_US
dc.subject.otherIsamu Noguchi, Moerenuma Park, Public Arten_US
dc.titleMoerenuma Park as Noguchi's Utopian Universe-- the Park as Reflection of Ideal Sculptural Space of Isamu Noguchien_US
dc.typeThesisen_US
dc.description.advisorAdvisor(s): Andrew V. Uroskie. Michele H. Bogart.en_US
dc.mimetypeApplication/PDFen_US


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