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dc.contributor.advisorMak, John E.en_US
dc.contributor.authorParker, Rachel Christineen_US
dc.contributor.otherDepartment of Art History and Criticismen_US
dc.date.accessioned2012-05-15T18:05:47Z
dc.date.available2012-05-15T18:05:47Z
dc.date.issued1-May-10en_US
dc.date.submittedMay-10en_US
dc.identifierParker_grad.sunysb_0771M_10084.pdfen_US
dc.identifier.urihttp://hdl.handle.net/1951/55575
dc.description.abstractThe Weibermacht prints of Lucas van Leyden are placed historically and culturally while at the same time examined as unique interpretations in their own right. The Weibermacht or `The Power of Women' motif refers to a loosely defined set of stories in which a woman tricks a man resulting in either his humiliation or death, or at times, both. Lucas van Leyden was the first to actively popularize the Weibermacht as a specific and signature theme by producing what is known as the Large Weibermacht Series in 1512. The proof of the series' success can be seen in van Leyden's decision to make a second, smaller scale series, due to the high demand from collectors.en_US
dc.description.sponsorshipStony Brook University Libraries. SBU Graduate School in Department of Art History and Criticism. Lawrence Martin (Dean of Graduate School).en_US
dc.formatElectronic Resourceen_US
dc.language.isoen_USen_US
dc.publisherThe Graduate School, Stony Brook University: Stony Brook, NY.en_US
dc.subject.lcshArt Historyen_US
dc.subject.otherLucas van Leyden, weibermachten_US
dc.titleThe Large and Small Weibermacht Series of Lucas van Leydenen_US
dc.typeThesisen_US
dc.description.advisorAdvisor(s): Joseph Monteyne. Committee Member(s): Donald Kuspit.en_US
dc.mimetypeApplication/PDFen_US


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